My grandmother’s house in Atlantic City… this white and pink house a block away from the ocean… you just went in and it felt like home. Whenever I’m thinking about writing or where I feel both safe and comfortable enough to create and imagine anything that’s possible… I go back to that place, that house… When I think about my literary home is that house that’s no longer there.
Category: Established Writers
EP. 32 | Nguyễn Phan Quế Mai on Facing Rejection When You Write about a Hard Topic
My novel was rejected by so many publishers because it deals with very horrible topics. It deals with death, with rape, with war, with agent orange, with mass murder, executions… Of course there’s a sense of hope and lots of love, and family bonds… but people have to confront the horror of all the evil and horror to be able to find kindness and compassion. They have to go through a lot of darkness to see the light and they have to become vulnerable together with my characters. So this book is not a fun read, it’s a serious read. So I think a lot of editors thought they wouldn’t be able to sell it.
EP. 30 | CHARLEY BARNES ON rejections as a first time writer
The one thing that I felt I handled well were all the rejections to the book, but I think the reason why was because I wasn’t yet seriously considering myself as a writer. Rejection felt inevitable.
EP. 28 | ROB M FRANCIS ON the rejection limbo
The thing that bothers me most about rejection are the publishers and editors that don’t bother with replying to the … More
EP. 27 | lisa blower on rejection and class
What I have realised is that publishing is a class issue and a lot of the people reading me are of a different class to what I’m reflecting and certainly the voice I often write in… and so when the rejection comes it really frustrates me because is not the writing they’re rejecting, it’s the class I’m reflecting.
EP. 26 | yvonne battle-felton on rejection is not about you
I’ll always remember the first time I submitted something to The New Yorker and it was rejected and I was like, yeah, I got a rejection from The New Yorker, that’s pretty cool, and I was talking to a really good friend of mine, who is not a writer, and she was like, oh my gosh, what are you gonna do? Are you gonna stop writing? And I’m like, what are you talking about? They don’t send rejections to everybody… this is great!
Ep. 25 | Nguyễn Phan Quế Mai on Healthy Routines for Writers
[Being a writer you need] to take care of yourself… because writing can be really hard… for my writing I deal with topics such as PTSD and trauma and that affects you mentally as well…. Having a daily exercise routine is also important [to support your writing routine]. I practice yoga and go for walks.
EP. 23 | CHARLEY BARNES ON using writing time as a reward
There are some days when working on fiction becomes my reward system around getting X amount of jobs done from the day-job list.
EP. 21 | rob m francis on writing first thing in the day
More often than not I’ll open my laptop and start writing at around 7 o’clock in the morning. That’s deliberate because I know that I’m going to get two hours worth of work without anyone getting in touch with me on email or a phone call or anything like that.
Ep. 20 | Lisa Blower on fitting your writing around your day job
I’d love to say I have a writing routine, but I don’t, I write very sporadically.
