With my poetry collection… I’d send it to places and they’d say it wasn’t quite right but then they would give some really nice feedback… and that’s what kept me going, because they actually took the time to tell me that so that probably is a good sign.
The thing that bothers me most about rejection are the publishers and editors that don’t bother with replying to the writers that have put their heart and soul into something and sent it off… the […]
What I have realised is that publishing is a class issue and a lot of the people reading me are of a different class to what I’m reflecting and certainly the voice I often write in… and so when the rejection comes it really frustrates me because is not the writing they’re rejecting, it’s the class I’m reflecting.
I’ll always remember the first time I submitted something to The New Yorker and it was rejected and I was like, yeah, I got a rejection from The New Yorker, that’s pretty cool, and I was talking to a really good friend of mine, who is not a writer, and she was like, oh my gosh, what are you gonna do? Are you gonna stop writing? And I’m like, what are you talking about? They don’t send rejections to everybody… this is great!