Building bridges, not walls
What I have realised is that publishing is a class issue and a lot of the people reading me are of a different class to what I’m reflecting and certainly the voice I often write in… and so when the rejection comes it really frustrates me because is not the writing they’re rejecting, it’s the class I’m reflecting.
I’ll always remember the first time I submitted something to The New Yorker and it was rejected and I was like, yeah, I got a rejection from The New Yorker, that’s pretty cool, and I was talking to a really good friend of mine, who is not a writer, and she was like, oh my gosh, what are you gonna do? Are you gonna stop writing? And I’m like, what are you talking about? They don’t send rejections to everybody… this is great!
[Being a writer you need] to take care of yourself… because writing can be really hard… for my writing I deal with topics such as PTSD and trauma and that affects you mentally as well…. Having a daily exercise routine is also important [to support your writing routine]. I practice yoga and go for walks.
I really try to write first thing in the morning, before I do anything else, at least anything else that’s mental… because my brain is just too tired after a day of work.
There are some days when working on fiction becomes my reward system around getting X amount of jobs done from the day-job list.
The sea strips / the sand into strata, / shifts the timeline /on the tides. / The village / was Saxon, was Viking / was Roman. /Was here, then gone.
I don’t have a writing routine for my writing now, it mostly happens in little bursts in between finishing something … More
More often than not I’ll open my laptop and start writing at around 7 o’clock in the morning. That’s deliberate because I know that I’m going to get two hours worth of work without anyone getting in touch with me on email or a phone call or anything like that.
I’d love to say I have a writing routine, but I don’t, I write very sporadically.
I write on trains, in between places, I can write in cafes, public libraries, crowded spaces, in a park… I can write anywhere that a mood strikes me or a character does a whisper…
THE WANDERING BARD 